These players have more or less late integrated the need
Posted: Mon Feb 17, 2025 4:51 am
In addition, for both Studio+ and Blackpills, the mobile- first offering has evolved to allow content distribution across all devices , in particular through a Web SVOD platform and ChromeCast . Finally, the offline mode offered by Studio+ and currently being developed by Blackpills makes content accessible at any time.
to be present on all devices , i.e. to produce new, adapted list of real mobile database content or to make existing content accessible to all devices. new consumers want to be able to start a series on their tablet while having breakfast, continue it while they are out and about and finish it on the TV screen when they get home in the evening. Distribution on a single device is not suited to the logic of ubiquity of content that is more commonly called "atawad" ( any time, any where, any device ). Note that this flexibility in terms of consumption is imperative and that the user will have difficulty accepting to pay for a service which offers him a series which he will be unable to listen to in bursts afterwards as and where he pleases .
In conclusion, one could say that Blackpills succeeded by applying the precepts of the Web (free, diverse, content featuring influencers), while Studio+ struggled by using revenues from television (large-scale production, paid service, established media brand). In both cases, the importance of multi-channel distribution has also naturally emerged over time. It remains to be seen whether Blackpills will succeed in establishing itself in a sustainable way in the complex and changing sector of online video.
to be present on all devices , i.e. to produce new, adapted list of real mobile database content or to make existing content accessible to all devices. new consumers want to be able to start a series on their tablet while having breakfast, continue it while they are out and about and finish it on the TV screen when they get home in the evening. Distribution on a single device is not suited to the logic of ubiquity of content that is more commonly called "atawad" ( any time, any where, any device ). Note that this flexibility in terms of consumption is imperative and that the user will have difficulty accepting to pay for a service which offers him a series which he will be unable to listen to in bursts afterwards as and where he pleases .
In conclusion, one could say that Blackpills succeeded by applying the precepts of the Web (free, diverse, content featuring influencers), while Studio+ struggled by using revenues from television (large-scale production, paid service, established media brand). In both cases, the importance of multi-channel distribution has also naturally emerged over time. It remains to be seen whether Blackpills will succeed in establishing itself in a sustainable way in the complex and changing sector of online video.